Today I'm going to share with you a few paintings I've done recently, and as something new and a little different, I'm going to write a little bit about my thoughts and processes behind them. You learn so much more when you self evaluate the things you create!
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP4prcQs8PGc0_Ek-bDlQTbyE6OAzkVonVTanNaVvuR-feghk-QMAZw6ffWxqopvyycmPlSqGpIpP0XTl2MRWNQ6WMFN3f1pp8i7dB5z2awoTVNA5pH72YB2Kozr-Z1OKYuMivpB1rduA/s640/3%25C2%25A7rd+attempt.png)
This painting was done in my weekly art class. I had an initial photograph to work from as inspiration, which had a simple watercolour feel to it, but because my favourite medium is acrylic I tried to adapt it to a different style. My main focus was on replicating the muted but diverse collection of colours the original image used. I started off with watered down paint, but quickly found that it left a very grainy thin feel to the image, and so begun thickening it up. I added my own details, plenty of texture and tried to make it a little more interesting with drips and splatters. I am slowly learning that I don't have to stick to a reference image completely, and that I am allowed the freedom of putting whatever marks I want on paper, there are no restrictions! Nothing is right or wrong in art. Critically, I feel like the the three lines coming off the side could have been a much stronger white, to create a firm edge. However, I love the overall tone of this painting, and to me, this almost feels like an abstract seascape, with stormy clouds and rain, but a bright clear sun threatening to overtake the day from behind.
This was an image I painted for a very special lady at the Turner Syndrome Support Society. I had such fun with this, I love the vibrant colours used, and the paint splattered effect is slowly turning into my favourite way of completing an image. Done a few months ago, this was one of my very first attempts at painting an animal, and I really love how unique it is, not adhering with the true colours of an animal, but still ending up with a creative and vibrant image that is true to the breed. The paintbrush I used gave me a very fluffy feel to the fur, but if I had wanted the dog to look a little more defined and less like a puppy, I could have used a thinner brush and made more defined lines. The white could also have been stronger, however overall I am so very pleased with the result. I am now also taking animal portrait commissions, so if you'd like a framed painting of your beloved pet in time for Christmas, let me know! I will definitely be doing lots more of these in the future.